A devotional object for the age of signal loss and ubiquity - at one point in the 1990's Doom was installed on more computers than the Windows operating system.
Carefully reconstructed from sprites of Doom Guy with 1% health and hand-painted in bands of bruised RGB. The face emerges only at a distance: a low-resolution apparition assembled from vertical striations, like a memory buffering in real time. Up close, it fractures into code—bars, blocks, and artifcats that don't fully resolve.
